Friday, 8 April 2011

Short story by me (!) in the 19th issue of SELANGOR TIMES

Cinta Satay
by Amir Muhammad

She had six months to find him. She would be reaching a milestone birthday then and if her friends gave her another surprise cake, it would come with the customary joke that a fire extinguisher would be needed to extinguish all the candles. She didn't need a fire extinguisher; she just wanted a guy beside her to help her blow.

Getting dates was the easy part, as she was an eligible bachelorette. But each guy would need to pass the satay test to go further.

The satay stall was a semi-autonomous region across from a restaurant near her apartment. The restaurant really came alive at night, which meant that it was more fun to be there with someone else. Satay orders could be made to the restaurant staff but payment had to be made separately, upon delivery, to the satay-maker Sam. His stall closed only on rainy nights.

On a dry night in the first month, she brought a guy named Rais. He was full of florid praise for everything about her. But she noticed he didn't even look at Sam when ordering. Worse, he complained too loudly when there weren't enough
nasi impit cubes for his liking. You could tell a lot about a guy from the way he behaved to people he considered beneath him. Rais was rude, and so he didn't go further.

On a dry night in the second month, she brought a guy named Daniel. He was punctual when he picked her up, which was such a rare quality. But she noticed that he didn't eat any of the
kuah satay. When she asked why, he said, "It makes things messy." This made her look at him in a new light. A man who couldn't handle messiness would also be less fun and spontaneous later. Daniel was dry, and so he didn't go further.

On a dry night in the third month, she brought a guy named Ivan. He had great taste in clothes and aftershave. But she noticed something off-putting when he ordered the satay. "We'll have only the beef. Chicken's lame, and mutton's gross" he told Sam (and also her). She was taken aback. Did she have no say in the matter of which slain animal she might like? Ivan was inconsiderate, and so he didn't go further.

On a dry night in the fourth month, she brought a guy named Prakash. He had a very nice car, the kind she could imagine disappearing into while forgetting the congestion that might be on the road or in her head. But something happened as soon as he ordered 10 chicken and 10 mutton sticks for himself (she was not hungry this time).

"I don't really like mutton, but I make sure to always order it," he said. And he paused.

"Why?" she asked, since it seemed to be expected of her.

"It's to remind myself that, in Life, we can't always get what we want. We have to deal with even negative eventualities. So if I ordered only chicken, which is what I love, I'd be lulling myself into a false state of comfort. So I force myself to also eat mutton." He went on and on, not noticing that her eyes were glazing over. He didn't want a date, but an audience.

Prakash was ponderous, and so he didn't go further.

On a dry night in the fifth month, she brought a guy named Ghani. He was in an industry that was related to hers. So they had many matters of mutual interest, and that helped to keep the conversation lively. In fact, everything seemed to go swimmingly. She thought she'd finally found the ideal guy for the birthday party, which was only a month away. She had no problems with how he chose, ordered or ate the satay. It was only when he ostentatiously used a stick, now stripped of meat, as a toothpick that she felt dismay. He kept doing it for the rest of the conversation, which grew less scintillating as it progressed.

Ghani was gross, and so he didn't go further.

Almost a month later, she was at the restaurant alone. It was raining.

Sam, who couldn't open his stall, asked shyly if he could sit with her. She was surprised but was happy for the company.

They started talking. They'd had no reason to speak to each other before; aside from the capitalist barrier of customer/provider, she had always been busy with her dates and he with his orders. But now that they were unoccupied, she found herself having fun. She didn't even mind not having satay, because they ended up doing other things later.

Sam was sexy, and he skewered his way to the next stage perfectly.


***

* The rest of Selangor Times can be downloaded riiiiight here.
* This story was inspired by the Selangorlicious campaign (which I also plan to join).
* This is my second Selangor Times story, after Land Where My Blood Spills. I am happy that little idea I had (for a newspaper to have a Fiction column) has been chugging along quite well. Long may it continue!

Tuesday, 5 April 2011

Pelacaran buku-buku FIXI yang pertama


FIXI ialah label yang baru untuk novel-novel Malaysia yang urban dan masakini.

Semua cik adik dan cik abang dijemput ke parti pelancaran 3 novel yang pertama.

Tempat: The Annexe Gallery, Central Market KL
Tarikh: 15 April (Jumaat)
Masa: 8:30pm

3 novel yang akan dilancar ialah:


CEKIK oleh Ridhwan Saidi
Sinopsis:
Tahun 2020, di Bandar. Warith, pemuda berusia 16 tahun, menerima berita pembunuhan bapanya di Kampung melalui telefon. Imbas kembali Warith sewaktu kecil menonton video porno milik bapanya. Warith kini bersekedudukan dengan teman wanitanya Suria, yang berusia 32 tahun. Dari jendela apartment mereka, Menara Warisan Merdeka kelihatan agam.
Warith pulang ke Kampung dengan Suria. Di kawasan perkuburan, mereka didatangi Detektif Anthony, yang pernah mengenali Suria sewaktu sama-sama gila-gila remaja. Mereka kemudian ke tempat pembunuhan, di mana beberapa rahsia lain akan terbongkar.
CEKIK ialah hidangan pascamoden yang memeranjatkan. Ia mengajak kita merasai apa itu nafsu, apa itu kota, apa itu mi Maggi, McDonalds, khutbah, tudung dan juga liwat.
Pages: 258 / Harga: RM18

KOUGAR oleh Shaz Johar
Sinopsis:
Kisha wanita moden yang konfiden dan bahagia dengan kerjaya dan kehidupan sosialnya. Berumur 40 tahun, dan masih bujang.
Ibunya di kampung mahu menjodohkannya dengan seorang duda bergelar imam. Tetapi minatnya lebih cenderung kepada anak muda berusia 25 tahun bernama Azril, yang bekerja di pejabat yang sama.
Tetapi Kisha kekadang impulsif. Tanpa disedari, dia telah menerima undangan dari seorang Datuk untuk keluar berhibur di karaoke. Dari situ, mereka akhirnya terlanjur. Apakah kecuaian Kisha itu dapat dirahsiakan atau akan ada impak yang terjadi di dalam jangka panjang nanti?
Pages: 322 / Harga: RM20

PECAH oleh Khairulnizam Bakeri
Sinopsis:
Bank CIMB Shah Alam simpan harta. Herman, Alan, Radi, dan Don sempat lari dengan wang. Namun Alan ditembak pengurus bank. Parah. Mereka sepakat ke hospital.
Rumah Seri Memori simpan warga emas. Bakar – sang penghuni dimamah dosa – tiba-tiba tumbang. Hilang sedar. Lidya – sang jururawat – dan Dr Vivian gegas bantu. Mereka sepakat ke hospital.
Hospital Tengku Ampuan Rahimah simpan nyawa. Alan di wad kecemasan. Bakar di wad lelaki. Herman-Don-Radi mahu cabut namun terbantut. Kereta kandas, sedang Inspektor Paul tiba pantas. Pintu pagar hospital dikawal, mereka perlu cari akal.
Herman-Lidya cinta hati. Dalam denyut debar Herman; di celah kerunyut gebar Bakar; satu-persatu kisah terpokah. Satu-persatu PECAH.
Pages: 335 / Harga RM20


Ketiga-tiga novelis akan hadir, dan ketiga-tiga judul akan dijual!

+ TIDAK ada VIP
+ TIDAK ada ucapan panjang

Tapi

+ ADA persembahan muzik oleh kugiran power-pop Couple
+ ADA jamuan ringan

Jadi jangan malu-malu.

* Buku-buku tersebut akan turut dijual di Pesta Buku Antarabangsa KL yang bermula seminggu selepas parti ini. Tapi inilah peluang anda untuk dapatkan novel-novel ini dalam keadaan yang lebih 'chillax'.

* 10% daripada hasil penjualan buku pada malam ini akan diderma kepada sebuah badan kebajikan yang diiktiraf, dan jumlahnya berserta dengan bukti pembayaran akan diumumkan di laman ini setelah parti itu selesai. 


* Bole juga konfirm di Bukumuka

Sunday, 3 April 2011

In a bottle

...Dalam Botol is the most interesting Malay movie of the year, so far. Even though it's not about what people have been led to believe it's about.

The title alone, plus its tendency to use shadows and have people framed in narrow corridors, shows that the theme isn't transsexualism, but the feeling of being trapped.

It's neither anti-gay nor pro-gay. In fact, Bidin's gayness is taken as a given. But his passivity (which is nowhere shown to be linked to his sexuality) ensures that he always makes the wrong decisions at the behest of others: first his boyfriend, then his (dead) father, then his mother, then his "girlfriend." As in the works of Rainer Werner Fassbinder, the protagonist here seems to be masochistically complicit in his own victimhood. This will dismay those who think that protagonists should always be role-models of some sort (call it The Oprah Syndrome), but it's also an affective way to open up the power relations in the society it depicts.

The film this most closely resembles is indeed Fassbinder's In a Year with 13 Moons. It's similarly daring in its use of silences, and also potent visual metaphors (the abattoir opening of the German film is replaced with a dead tree-stump here).

A well-choreographed and strikingly scored wedding scene near the end is a gender-reversed homage to the opening of U-Wei's Perempuan, Isteri dan Jalang, which was in turn a modern homage to the climax of Salleh Ghani's Sri Mersing. And a nearly wordless scene in a bedroom right after that is one of the finest achievements in Malay cinema.

Although hamstrung by a low budget (the dialogue dubs sometimes sound like they were done in somebody's bathroom), the pithy and elliptical conversations achieve a remarkable degree of verisimilitude. It's a rare local movie (aside from the works of Ho Yuhang and Tan Chui Mui) that makes it seem like we are actually eavesdropping on real people.

Its refusal to present Bidin's gayness or his transsexual condition (he's not a genuine transsexual) in slapstick or monochromatic terms already puts it way ahead of the much shoddier and sleazier 2 Alam. But its relentless dourness can make it a discomforting experience. The (mostly nocturnal or interior) cityscape is a place of liberation but also of constraints, as can be seen in Bidin's financial situation and also his boyfriend's smoking addiction.

A bare-bones synopsis, plus some rash statements by its producer Raja Azmi, can make you think this is a reactionary and judgmental freak-show. But the screenwriter/director Khir Rahman seems to have done a lot to make ... Dalam Botol a much more complex experience. It lingers. This a film that doesn't let anyone (including its audience) off the hook. My take on this film is exactly what Yasmin Ahmad had said about Raja Azmi's previous film Haru Biru: "I don't care what weirdo produced it, I quite like it!"

Saturday, 2 April 2011

Short story by Zed Adam in the 18th issue of SELANGOR TIMES

Zed Adam was shortlisted in last year's MPH Short Story Prize (and therefore published in this book) and he also has a story in Body 2 Body: A Malaysian Queer Anthology.

The rest of Selangor Times can be read/downloaded here!

Tuesday, 29 March 2011

Buku esei mengenai INTERLOK dah siap!

Pada 31 Januari kami mula minta esei daripada sesiapa yang pernah baca novel Interlok, dan mahu memperkatakan sesuatu tentangnya.

Kami menerima sekitar 30 esei semuanya. Dan daripada jumlah itu, 10 dipilih oleh editornya Hafiz Hamzah.

Saiz dan bentuk buku ini akan sama seperti buku chomel ini:

Tapi kandungannya lain kot...

Saturday, 26 March 2011

Friday, 18 March 2011